彩排指导方针
剧院部门 productions are co-curricular activities; they augment the classroom curriculum and hence have both an artistic and educational mission. 因此，它们应被视为所有参与者的优先事项. Extracurricular activities should be relegated to a lesser priority or place on hold during the duration of student work on any Department production. It is also understood that students involved in co-curricular 剧院部门 productions carry a full load of liberal arts classes. These rehearsal guidelines are intended to ensure that the time the student gives to both academics and to the theatrical process are respected and to engender mutual respect between directors, 演员和工作人员通过他们对彼此的责任和对创作过程的责任.
预生产
- The Chair of the 剧院部门 and the Production Manager of the 剧院部门 will determine the rehearsal period (number of weeks for rehearsals) that a production will receive. 排练时间和大致的排演日程将在演出试镜前公布. 排演时间表必须包括结束时间.
- 排练时间表和排练指南将分发给所有参加试音的学生, 在剧组的第一次商务会议上重新分发.
- 在试镜的时候, 在第一次商务会议上也是如此, 演员必须通知舞台监督所有已知的冲突重叠排练期间. 此后，学生/演员不得添加任何额外的冲突, (紧急情况或重病除外), 没有主任的明确许可.
- 通过接受一个角色，学生演员同意遵守排练的所有条件.
生产排练
- The regular workweek will be defined from Saturday to Friday and consist of those weeks from the beginning of rehearsal until the commencement of production week. 部门演出的制作周包括技术排练和彩排. 排练的定义包括，但不限于，桌子的工作，热身，和笔记. 如有必要，笔记可以通过电子邮件发送或打印，并在排练之外分发.
- 在正常工作日的上课日，排练将在晚上11点前结束. 排练时间不得超过四个半小时.5 hours) except during the week before performance (commonly referred to as production week) when rehearsals may be extended to five hours (5 hours). 罗布舍姆戏剧艺术中心的规定禁止午夜后在大楼内进行任何活动. 没有例外.
- 除了生产周, 没有学生演员或舞台管理被要求在非上课日每天排练超过七(7)小时.
- 在制作周期间，该公司将被要求进行技术排练. Technical rehearsal days are 8 hour out of 10 hour rehearsal days and typically fall on the Saturday and Sunday of Production Week.
- 在正常工作周，学生演员每周的工作时间不得超过25小时，在制作周，每周的工作时间不得超过30小时. It is also strongly recommended that all actors called are either be used in a timely manner or released as soon as possible; it is not acceptable for actors to be called to rehearsal when the director does not expect to use that actor during the rehearsal.
- 如果排演时间超过5小时，演员和舞台管理人员将有30分钟的用餐休息时间. 每1分钟休息10分钟.5小时的排练. During run-through rehearsals the break will be given at the intermission point or at the end of the run if there is no intermission.
- 除了生产周, 学生演员应在排练开始前10分钟到场. 如果需要，学生演员应在10分钟前穿上排演服装. 如果导演迟到了, s/he forfeits those hours; if a student actor is late and/or impedes the rehearsal process, 导演可以把这个演员从演员名单中释放出来. Actors are required to attend strike until completion or until they are released by the Technical Director of the production or other strike manager.
- 排练时间不包括背诵台词所需的时间, 电子游戏正规平台, 导演指定的准备工作, 或者由学生演员发起的会议.
- 据了解，排练可能会安排在周末和节假日, but that this must appear in the rehearsal schedule published before rehearsals begin and must adhere to previously stated limits. 典型的排练日程包括周日白天排练和周一至周四晚上排练.
- 在制作周期间, stage managers and production personnel will be called every day thru the production strike unless the production is otherwise scheduled. 生产将按照生产经理制定的生产周计划进行，并在生产会议上进行审查.
- There will be at least a 10-hour rest period between the end of rehearsal on one day and the beginning of rehearsal on the next day.
- 尽管如此, stage managers may be asked to remain for a maximum of thirty minutes after each rehearsal to discuss necessary production details.
- 考虑到大多数排练都很晚才结束, 应该尽一切努力把演员会议安排在白天, 但如上文2所述, 必须在午夜前停止所有的排练活动. 同时，演员/导演会面的机密性也不容妥协, the stage manager must be able to report the beginning and end of all actor conferences conducted after other actors have been dismissed. 下面将对此进行讨论, the Stage manager is required be the last student to leave the building in order to document the exact times of the rehearsal segments.
- 特别注意两个方面:排练记录和申诉. A. Rehearsal records: It is the responsibility of the stage manager to post (both on the call board and thru email) the rehearsal calls for the reasonable future. 此公告应不迟于下次所谓的排练前三天发布. 这些电话必须与演出试镜前公布的大致排演时间表一致. 随后, the stage manager should carefully record on a rehearsal report sent to all production personnel as well as the Chair of the 剧院部门, 部门管理员, RTAC的主任, RTAC副主任, RTAC管理员, 以及RTAC票房经理的记录. 报告应包括以下内容:
Call time Actual start time Any late actors and/other production personnel who are responsible for running the rehearsal with reasons for the late arrival noted on the form.
A summary of the work done Specific notes for all interested production areas When individual actors are released from rehearsal Actual ending time of the rehearsals It is essential that ALL violations of this policy be noted in the rehearsal report. The posted rehearsal calls and rehearsal reports becomes the documentation necessary to support any dispute arising form a rehearsal. B. 申诉救济:申诉救济是指处理涉及演员的情况, 阶段管理, 导演. 希望能够面对面地讨论不遵守这项协定的问题，并达成一项友好的解决办法. 然而, 如果面对面的讨论不可能, 学生代表可以举报涉嫌的违规行为. 该学生将在剧团第一次排练时被选为演员. Upon request from an aggrieved party (or parties) appropriate information will be submitted in writing on a standard form provided by the stage manager to the Chair of the 剧院部门 and the Production Manager of the 剧院部门. 在收到这一信息后，这两个人将采取行动纠正这种情况. (如果主席或生产经理是生产总监, 他们会自动回避这个程序。). - 这项政策可以修改. 它旨在为电子游戏软件戏剧系的作品制定指导方针.
舞台监督指引
- 对于院系的演出，学生舞台监督须与至少一名助理舞台监督分担工作. 在正常的工作周，每次排练都要有学生舞台监督或助理在场. 然而，学生舞台监督应该参加任何一周的大部分排练. It is understood the stage manager or his/her assistant will arrive sufficiently before the rehearsal to prepare the space for rehearsal, 并在排练结束后将排练空间恢复到与房间使用条件一致的状态. It is also a requirement that the stage manager be the last student to leave the rehearsal in order for the stage manager to accurately record the complete rehearsal procedures. 在任何情况下，舞台监督都不能在最后一个学生完成所有排练和会议之前离开. 具体指导舞台监督和助理舞台监督可以找到劳伦斯斯特恩的书:舞台管理, 阿林和培根, (最新版)及本署网页. 也, 所有舞台管理人员应每周与舞台管理导师会面，征求意见, 咨询, 和指令. 这个会议是舞台经理必须注册的两学分课程的一部分. 本课程将讨论具体的舞台管理职责.
- The stage manager is responsible for assembling a cast list with the names of the actors and the roles they play along with any time, 位置, 场景描述, 行为描述和其他描述性材料. 舞台监督有责任与演员一起检查演员名单的拼写和其他细节. 尽可能地, cast members should approve the way they are listed in the program subject to the final approval of the production director and the department Chair.
突发事件
If the situation arises that the director needs to make significant adjustments to the rehearsal schedule during the rehearsal period, 然后导演需要和舞台剧的监制商量, 戏剧系的生产经理和戏剧系的主席. 这些变化必须在足够的时间内宣布，以便所有制作团队成员(包括演员)能够做出反应和调整.